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  • FLESH BLOOD: SEX AND VIOLENCE IN RECENT FRENCH CINEMA - Artforum
    Images and subjects once the provenance of splatter films, exploitation flicks, and porn—gang rapes, bashings and slashings and blindings, hard-ons and vulvas, cannibalism, sadomasochism and incest, fucking and fisting, sluices of cum and gore—proliferate in the high-art environs of a national cinema whose provocations have historically
  • SEX WITH STRANGERS: LUTZ BACHER - Artforum
    In Sex with Strangers, 1986, Bacher exhibits a series of photographic images with accompanying texts, lifted from ’70s porn narratives thinly disguised as sociological texts The black and white images of “rape” and fellatio are disturbing and eerie Yet their effect is made all the odder by the captions, which, in their lurid accounts of female nymphomania and wayward hitchhikers, veer
  • Bruce LaBruce shares his Top Ten - Artforum
    Bruce LaBruce is a filmmaker, writer, photographer, and artist based in Toronto
  • Christine Wang - artforum. com
    Wang openly admits to loving rape porn in a painting bluntly titled Rape Porn, while observing the atrocities of violence against women and its societal foundations in the aforementioned statement
  • THE SUN ALSO SETS: THE FILMS OF NAGISA OSHIMA - Artforum
    Register to receive our full menu of newsletters— From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU —as well as special offers from Artforum
  • BLOW-UP: - artforum. com
    The film is based on the gang rape and murder of a 14 year-old Iraqi girl, Abeer Qasim Hamza, by U S soldiers outside Mahmudiya on March 12, 2006 Abeer’s mother, father, and 6-year-old sister were murdered while she was being raped After the soldiers took turns raping Abeer, she was shot in the head and her body was set on fire
  • SERIOUS SEX BATTLE - Artforum
    The realist version of sex-as-rape comes to us in Andrea Dworkin’s Pornography: Men Possessing Women (1981) Dworkin’s sexual veganism finds validation in some photographs, in Hustler, of a woman naked and captive and stunned as a deer, trophied for the benefit of men described in the accompanying text as “hunters ”
  • CLOSE UP: AMERICA YEAR ZERO - Artforum
    Ara Osterweil on Kenneth Anger’s Fireworks (1947) Fireworks ’ insistence on the actuality of homoerotic desire and sexual activity was a first in American cinema Yet the sexual desires that animate the film did not ignite in a vacuum: They were part of an emerging gay culture in midcentury Los Angeles They were also a response to the militarization of public life during the war and to
  • Dangerous Liaisons - Artforum
    The emergence of feminist anti-porn activism in the late 1970s and ’80s only throws the audacity of her career into further relief Doris Wishman, Another Day, Another Man, 1966, 35 mm, black-and-white, sound, 70 minutes
  • TRUE CRIME - Artforum
    In the case of Ostermeier’s staging, the director, like Louis after his attack, washes the novel quite clean, tidying its central acts—sex and rape and the fictions that spin around each experience—and diminishing its richness and complexity “I write to shame the dominant class,” the author once told the New York Times





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