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  • Being Modern in Japan: Culture and Society from the 1910s to the 1930s
    Writers explore what it meant to be modern in Japan from the 1910s to the 1930s, but many subjects addressed are relevant to modernity elsewhere in Asia, Europe, and North America Certain aesthetic concerns in Japanese modern art occurred spontaneously, while others reflected the adoption of a common formal modernist language
  • Nozawa | Modernity of Electric Light and Shadow: Japanese Domestic . . .
    Electric light became popular as a source of illumination in Japan between the late 1910s and the early 1930s It created novel sensory spaces that made the former darkness of domestic architecture a thing of the past
  • In Praise of Shadows: The Poetics of Light and Darkness in Japanese . . .
    In a world that increasingly privileges brightness, clarity, and digital sheen, Junichiro Tanizaki’s In Praise of Shadows stands as a poetic manifesto for another way of seeing First published in 1933, this brief but evocative essay explores the profound relationship between shadow, silence, texture, and atmosphere in traditional Japanese life As architecture, art, and everyday objects
  • Inei: Japanese Aesthetics of Shadow and Darkness
    Junichiro Tanizaki’s essay In Praise of Shadows, published in 1933, is one of the books that introduced Japanese aesthetics to the world Written in a unique style, the book highlights the importance of dim light and shadow in the Japanese lifestyle It has become a must-re
  • In Praise of Shadows - Reinterpreted by Kassavello
    The renowned 1933 essay ‘ In Praise of Shadows ’ by the Japanese author and novelist Jun’ichiro Tanizaki, has been described as ‘ an exercise in mindfulness ’ Discussing the virtues of shadow and subtlety which imbue traditional Japanese aesthetics, Tanizaki argues that the West, through its appetite for progress, is continuously searching for light and clarity which can be harsh
  • Exploring the Aesthetics of Japanese Interiors: A Cultural Journey . . .
    Introduction Japanese interiors are highly revered for their unique design elements and attention to detail From traditional Japanese homes to contemporary urban spaces, the country’s interior design is highly adaptable and always evolving In this article, we will explore the aesthetics of Japanese interiors, tracing the historical and cultural influences that have shaped their unique
  • Life in an old Japanese house Vol. 9: Japanese Houses and In Praise of . . .
    When the aesthetics of Japanese houses are discussed, one often cited essay is "In Praise of Shadows" written by Junichiro Tanizaki He writes about the modernization of Japan during the early Showa era (1920’s 1930’s) and his malaise towards Japan’s Westernization and it’s affect on the Japanese classical sense of beauty
  • Light and Transparency in Japanese Architecture (In Praise of Fuzzines
    In my previous post I examined the presence and perception of darkness in Japanese space and, in particular, the ideas developed by the novelist Jun’Ichiro Tanizaki in his essay, In’ei Raisan (Published in English as In Praise of Shadows) Japanese colleagues have observed that dark spaces are not unique to Japan and that, historically, they must also have existed in the West This is
  • Architectural Japanism in Europe (1860-1910) | EHNE
    These initial examples reflect how the taste for Japan spread, although it led only to limited productions during the 1860s, with Japanese-inspired works being limited to interiors The emergence of exclusively Japanese-inspired décor came after the exhibitions in Paris in 1867 and Vienna in 1873
  • Check the latest. . . - European Architectural History Network
    Check the latest article published by EAHN's journal Architectural Histories: "Modernity of Electric Light and Shadow: Japanese Domestic Architecture from the Late 1910s to the Early 1930s" by
  • Shadow and Light - Writers In Kyoto
    Like the Buddha stones, light and shadow in the unmediated Japanese garden, settle into their allotted spaces It’s almost as if the garden is designed in equal measure to trap and liberate light, to bring us into emotional and spiritual alignment with their diurnal gyrations Shadows and light, like us, are sentient
  • Taisho Early Showa Art and Visual Culture | Japan Past Present
    Menzies, Jackie, and Chiaki Ajioka, eds Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935 Sydney: Art Gallery of New South Wales, 1998 Morioka, Michiyo, and Paul Berry Modern Masters of Kyoto: The Transformation of Japanese Painting Traditions, Nihonga from the Griffith and Patricia Way Collection Seattle: Seattle Art Museum, 1999
  • Important Concept: Shadows in Japanese Culture
    Subdued Light in Japanese Theater Another point of the analysis regarding shadows in Japanese culture deals with the changes in Nō and Kabuki theater The makeup in Kabuki plays seems to come at a disadvantage in modern bright lights
  • Japanese Art 1910 - 1940: Japans Traditional and Modern . . . - InCollect
    Thomsen wanted to highlight this period in Japanese art and culture for reasons he explains in a text accompanying the exhibition “The Taisho era, and early Showa era, specifically the modern pre-war era of 1910–1940, was a time of great change for Japan and its arts,” he writes





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